Documentary research
6 Modes of Documentaries
-Performative
-Reflective
-Participatory
-Observational
-Expository
-Poetic
PERFORMATIVE DOCUMENTARY
WHAT IS A PERFORMATIVE DOCUMENTARY?
Performative documentaries are characterised by their distinctive features, which centre around the filmmaker's subjective experience and personal involvement in the story. Morgan Spurlock is clearly involved in "Supersize Me," a noteworthy performative documentary, since he contributes actively to the film. Spurlock documents the impact of a fast-food diet on his own health in addition to acting as the film's director and protagonist. The way the documentary uses Spurlock's personal journey—including his emotional and physical responses—fits with the performative mode's focus on the individual's point of view. In the context of the larger documentary genre, "Supersize Me" is a suitable example of a performative documentary because it features the filmmaker as a prominent figure in addition to Spurlock's captivating and intimate story.
https://www.masterclass.com/articles/understanding-performative-documentary-mode
EXAMPLES?
Reflective DOCUMENTARY
WHAT IS A REFLECTIVE
DOCUMENTARY?
​Reflective documentaries go against conventional documentary conventions by being self-aware and carefully examining the filmmaking process. Although every reflective documentary has a different method, they always share the following characteristics: the filmmakers rethink the nature of the documentary medium, break the fourth wall, and acknowledge their participation. Because it is self-reflective and experimental, "Man with a Movie Camera" clearly matches the reflective mode. Through the use of avant-garde methods and visual effects, Dziga Vertov challenges the audience's conception of reality in addition to showcasing the craft of filmmaking in the documentary. Vertov's deliberate departure from traditional documentary rules can be seen by the film's reflective classification, which is based on its lack of a conventional narrative and its attention on the filmmaking process.
https://www.masterclass.com/articles/understanding-reflexive-documentary-mode
EXAMPLES?
participatory DOCUMENTARY
WHAT IS A PARTICIPATORY DOCUMENTARY?
One characteristic that sets participatory documentaries apart is the filmmaker's active involvement with the subjects and the story. The technique used in each documentary in this genre differs, but all of them have the filmmaker's direct involvement and impact over the events as they happen. The filmmakers, Jean Rouch and Edgar Morin, deliberately engage themselves in the life of the subjects in their groundbreaking participatory documentary "Chronicle of a Summer," partaking in conversations on a range of social concerns and conducting candid interviews. The documentary's use of introspection and the filmmakers' active participation in crafting the story line up with the participatory mode's focus on the interaction between the subjects and the documentarian. The documentary "Chronicle of a Summer" demonstrates the participatory method through incorporating the filmmaking process and capturing the subjects’ lives through the lens of the filmmakers’ active participation.
https://www.masterclass.com/articles/guide-to-participatory-documentaries#4KYclvy65i1JlpzLekYpxV
EXAMPLES?
observational DOCUMENTARY
WHAT IS A OBSERVATIONAL DOCUMENTARY?
Observational documentaries can be identified by a discreet way of documenting actual events without the filmmaker's intervention. Although every observational documentary is unique, they nonetheless have a "fly-on-the-wall" viewpoint and an emphasis on realism. "High School," a classic observational documentary directed by Fredrick Wiseman, follows the everyday interactions and struggles that take place in a high school setting as seen through the eyes of an outsider's perspective. The observational style is emphasised by the lack of voiceover narration or in-person interviews with the subjects, which lets the events happen organically. Extended scenes and unscripted moments in the movie highlight Wiseman's dedication to giving an authentic and unvarnished account of high school life. "High School" is a notable example of the observational documentary style thanks to its understated methodology, which offers a perceptive and genuine look into the dynamics of educational institutions without overt interventions.
https://www.masterclass.com/articles/guide-to-observational-mode
EXAMPLES?
Expository DOCUMENTARY
WHAT IS A EXPOSITORY DOCUMENTARY?
Expository films characterise itself by presenting information in an accurate and straightforward manner, frequently using a lecturing style. Expert interviews, the use of voiceover narration, and the inclusion of data or proof are frequent aspects of documentaries in this format, though specifics may vary. An excellent example of an explanatory documentary is "The Blue Planet," whose authoritative and educational tone makes the style clear. The voiceover narration by Sir David Attenborough leads the listener through an investigation of marine life while offering accurate information and scientific insights. Expert interviews and visually striking footage support the documentary's objective of providing factual and instructive information on the world's oceans. As a result of its commitment to providing facts in an uncomplicated way, "The Blue Planet" appropriately corresponds with the expository mode, offering a comprehensive and educational perspective on marine ecosystems.
https://www.masterclass.com/articles/understanding-expository-documentary-mode
EXAMPLES?
Poetic DOCUMENTARY
WHAT IS A POETIC DOCUMENTARY?
Poetic documentaries are unique in that they prioritise emotional and visual impact over conventional informational material. Although this form has variations, all of them share the use of symbolic graphics, evocative imagery, and a nonlinear narrative framework. The poetic method is evident in a documentary about rain when there is a greater focus on the visual and emotional qualities of the precipitation. The spectator is given a visceral and emotional experience through the use of cinematic devices including slow motion, creative framing, and visually arresting compositions. Despite not having a conventional storyline, the documentary uses the beauty and meaning of rain to express a central theme. The documentary Rain represents the poetic method through its visually striking and emotionally charged narration, thereby altering a seemingly ordinary phenomenon into a captivating and evocative cinematic exploration.
https://www.masterclass.com/articles/guide-to-poetic-documentaries
EXAMPLES?
Piece to camera
what is it?
​In a documentary, a "piece to camera" (PTC) is a segment where the presenter or a significant character address the viewer directly into the camera. This could be used to set the scene, offer personal observations, or deliver information that directs the story. It's a straightforward communication method that gives the documentary a more intimate feel and may increase audience interest. The use of a piece to camera is a stylistic decision made by filmmakers in an effort to break down the fourth wall and engage viewers. It's frequently employed to highlight a specific idea, express a viewpoint, or offer feedback.
examples?
Interviews
what is it?
In a documentary, an interview is an area in which the director or an off-screen interviewer asks questions of people, usually specialists, significant individuals, or eyewitnesses. These interviews are taped, then edited into the documentary to offer personal information, analysis, or professional viewpoints on the topic. A key component of documentary filmmaking are interviews, which enhance the narrative by presenting a range of viewpoints, specialties, and firsthand accounts.
examples?
Actuality Footage
what is it?
In a documentary, "actuality footage" can be defined as raw, unscripted video that documents actual events as they happen. This type of documentary film seeks to show reality as it truly is, without editing or staging. Since reality footage presents real-life events in their authentic setting, it is sometimes contrasted with dramatizations or re-enactments. Viewers can interact directly with real events through this realistic lens, which is created by capturing genuine experiences in raw and unscripted footage. Actuality film sets itself apart from dramatizations and re-enactments by avoiding manufactured scenes, which guarantees a higher level of credibility and immediacy.
examples?
Fly on the wall
what is it?
When used in a documentary, the term "fly on the wall" implies an observational or vérité style of filmmaking. The term "fly on the wall" refers to a documentary style in which the filmmaker takes an observational and non-intrusive approach, seeking to record events and situations as they naturally occur without direct interference. Authenticity is emphasised in this method, which frequently asks for little to no involvement from the director. The purpose of documenting real-life events without staging or scripting is to let the subjects behave spontaneously, unaffected by the camera's presence. The phrase "fly on the wall" refers to the filmmaker's role as an unnoticeable spectator, discreetly recording the happenings without taking part in or controlling the action.
examples?
B reel
what is it?
​The term "B-roll" in documentary filmmaking indicates supplemental or secondary material intended to enhance the main footage, also known as "A-roll." B-roll usually comprises of moments that support or enhance the story, extra material, or cutaway shots. The main audio or voiceover from the major scenes or interviews is frequently placed over this material.
examples?
Studio setups and links
what is it?
A "studio setup" in documentary filmmaking usually refers to setting up a controlled and prepared area for a certain shot or interviews. To provide the best possible conditions for recording, this could involve setting up backdrops, lighting, and audio equipment. In order to control factors and produce a polished image, filmmakers may decide to conduct interviews in a studio-like atmosphere, even though many documentaries prefer a more natural and observational way.
examples?
product shots
what is it?
A "product shot" in a documentary is a segment of the film that highlights a particular product or object that is connected to the documentary's topic. This picture is frequently used to show off a product's characteristics, give descriptive information about it, or highlight how important it is to the story. Product images can vary greatly depending on the documentary's emphasis, ranging from consumer goods to historical objects or scientific apparatus.
examples?
Graphics and animations
what is it?
In a documentary, visual elements designed to improve narrative, explain difficult ideas, or offer more details are referred to as graphics and animations. These components are frequently employed to enhance interviews, live-action video, and other documentary sources.
examples?
Short Documentary Research:
Extension:
Louis Theroux Screening
What techniques have been used in the documentary? Explain why
The documentary employs extensive b-roll footage showcasing the environment and various animals right from the beginning. This technique is employed to immerse the audience in the setting and introduce key elements early on, creating a visually engaging and informative experience. The use of such footage serves to establish the context and set the tone for the documentary, enhancing the viewer's connection with the subject matter.
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Which of Bill Nichols 6 modes of documentary did this documentary most align with and why?
This documentary predominantly aligns with the participatory mode according to Bill Nichols' classification. This is evident in the inclusion of the host within the documentary itself. The participatory mode involves the filmmaker or a host actively engaging with the subject matter, often interacting with the participants or events. By featuring the host in the documentary, it establishes a direct connection between the interviewer and the audience, offering a more involved and interactive storytelling approach.
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What techniques did they use to evoke emotion?
​The documentary effectively elicited emotion through character building, particularly demonstrated by the initial owner who devised a thoughtful solution in case of any issues with the animals or the utilized land. This technique involves presenting the characters in a way that resonates with the audience, showcasing their values, problem-solving skills, and emotional investment in the subject matter. By highlighting the owner's proactive approach to potential challenges, the documentary establishes a connection with viewers, evoking a sense of empathy and admiration for the characters involved, which contributes to the emotional impact of the narrative. The character of the initial owner evolved positively towards the end as the documentary provided insight into his motivations for preserving the land and maintaining the zoo. This character development added depth to his persona, allowing the audience to understand the underlying reasons behind his commitment.
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What techniques did they use to tell a story?
The documentary employed a storytelling technique by incorporating interviews with various individuals, including other employees and exotic pet owners, to provide a broader range of perspectives beyond just that of the initial owner. This approach serves to enrich the narrative by presenting diverse viewpoints and experiences related to the subject matter. By featuring input from multiple sources, the documentary achieves a more comprehensive portrayal of the story, offering insights, opinions, and anecdotes from different angles.
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What techniques or style could you use for your own documentary?
I would like to include B roll in my own documentary since incorporating relevant B-roll footage contributes to the documentary's overall atmosphere, setting the tone for different segments. It can serve as a transition between scenes, emphasize key points, or offer a change of pace, making the viewing experience more dynamic and immersive.
Interviews
Standard
When seated, the subject should gaze slightly away from the camera, adhering to the conventional interview setup for a more cinematic appearance. Ensure that the subject directs their gaze towards the light source.
Pros:
Pros of standard interviews include their safety and adaptability to various conditions.
cons:
​However, on the downside, the conventional approach is deemed safe but lacks creativity and may evoke a sense of distance.
interrotron
​In this setup, the subject is seated, making direct eye contact with the lens and, consequently, the audience. This type of interview fosters a stronger connection between the subject and the audience, achieved through a unique technology resembling a two-way mirror. While it is possible to conduct this without the specialized technology, it may be intimidating for the subject.
Pros:
​Pros of an Interrotron interview include its ability to establish an intimate connection with the audience.
cons:
​However, a notable drawback is that this interview style necessitates special technology, leading to budgetary considerations.
Conversational
In this scenario, numerous characters engage in a discussion on a specific topic, and the filming resembles that of a scripted film. The depiction creates a sense of real-time occurrence and can be achieved using either two cameras or, with sufficient expertise, even just one.
Pros:
Pros of a conversational interview include its ability to feel natural and creatively advance a story.
cons:
On the flip side, a notable con is that it demands a certain level of skill and experience to execute effectively.
host + Standard
​This interview format mirrors a standard setup with a host positioned in a counter shot and a second shot. To establish this, both the subject and the host should direct their gaze slightly off-camera or engage in conversation while looking at each other.
Pros:
The advantages of a host + standard interview lie in its effectiveness for a journalistic-style documentary.
cons:
​However, a notable disadvantage is its frequent use, which may lead to a perception of blandness.
host + conversation
​This interview adopts a conversational style, with a clear identification of the host. Viewers observe the host conducting the interview in an informal manner, creating a conversational atmosphere where the host guides the discussion.
Pros:
The benefits of the host + conversation interview style include its flexibility, allowing for diverse settings like shooting in a car or a park while walking.
cons:
​On the downside, it may become monotonous if the host struggles to ask engaging questions that capture the audience's interest.
in the moment
A conversational style interview where a task is being completed. This is where we see two people do something that is part of the interview.
Pros:
The advantages of an "in-the-moment" interview include its departure from the host conversation style, creating a more authentic atmosphere that doesn't resemble a traditional interview.
cons:
However, a notable disadvantage is the potential for distraction due to the frequent camera movements.
Standard voiceover
​The subject's face remains unseen, with their voice serving as a prominent element throughout the film. This setup involves incorporating extensive b-roll footage related to the documentary, accompanied by a voiceover.
Pros:
cons:
The advantages of a standard voiceover include its effectiveness in encouraging the inclusion of more real-time scenes, providing a broader depiction of life.
However, a notable drawback is that this style may create a sense of disconnection, lacking the feel of a genuine interview.
Voiceover while a footage that is related to the documentary:
B-roll
How are the images being lined up with the audio from the interview?
In the initial stages of the documentary, there is a deliberate synchronization between the voiceover of the subject and the corresponding footage. As the subject expresses the sense of control associated with driving older cars, the footage seamlessly transitions into slow-motion. This technique aims to evoke a feeling of nostalgia and introspection, creating a visual representation that aligns with the interviewee's sentiment of looking back on cherished memories associated with the older cars.
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Are there any moments where the images show exactly what is being said?
In a particular scene of the documentary, there is a synchronicity between the footage and the background music. The background music features someone playing an electric guitar, coinciding with footage of an individual cleaning a part of a car that bears a resemblance to a guitar. This intentional alignment between the audio and the footage serves to enhance the storytelling by creating a metaphorical connection. The guitar playing and cleaning the part of the car, though seemingly unrelated, come together to convey a thematic or symbolic meaning, adding depth and a layer of visual poetry to that specific moment in the documentary.
Lighting
Book light
The book light technique, pioneered by Shane Hurlbut, stands out as a particularly gentle and flattering approach to lighting. To execute this method, direct the light away from the reflective surface, allowing it to bounce off at an angle through a diffusion fabric. This process significantly enhances the light's volume, resulting in a soft and aesthetically pleasing illumination for the subject. The outcome is a beautifully gentle and softly lit appearance.
How to set it up:
Effect:
F the fill
The f the fill lighting technique is helpful when the desired mood for the interview is more somber, darker, or emotionally charged. This method, designed for a moody ambiance, can be accomplished using just one light source. To achieve this effect, position the light farther to either side of the subject and manage the spill of the key light by using flags or an egg crate. Alternatively, for added dramatic impact, introduce a second light source. In this case, lower the intensity of the fill light and ensure that the key light is at least twice as bright, intensifying the overall dramatic atmosphere.
How to set it up:
Effect:
rembrant lighting
Renowned for its cinematic and dramatic impact in both lighting and photography, the Rembrandt lighting technique is a captivating choice for documentary visuals. To set this method up, position the light approximately 60 degrees to either side of the subject's face, ensuring it is slightly elevated and angled downward. The strategic use of a bounce card, which skilfully fills in the shadows and adding depth to the overall composition. This approach lends a timeless and evocative quality, making it particularly effective for documentary storytelling.
How to set it up:
Effect:
The topper
The "Topper" technique proves exceptionally effective when highlighting an authoritative presence of a powerful figure. To execute this lighting effect, position the light source directly above the subject, directing it at a downward angle. By doing so, the illumination emphasizes the subject's stature and prominence, creating a visually compelling impact. This method is specifically tailored to enhance the commanding presence of influential figures, casting a spotlight on their strength and significance.
How to set it up:
Effect:
Silhouette lighting
In a documentary context, silhouette lighting serves as a compelling visual technique to evoke emotion and convey a sense of mystery. This method involves strategically placing the primary light source behind the subject, creating a striking contrast between the subject and the background. By allowing the subject to remain in shadow and adjusting the camera exposure to capture the details of the background, filmmakers can emphasize the form and gestures of the subjects without revealing facial features. The choice of a clean and uncluttered background remains important, ensuring that the silhouette remains visually distinct. Silhouette lighting in documentaries can enhance storytelling by adding a cinematic touch, engaging the audience with its dramatic and evocative visual impact, especially when capturing powerful or emotionally charged moments.
How to set it up:
Effect:
Individual Interview plan
Theme or Topic:
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passions, interests like food, travelling, hobbies.
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career journey and experiences in college
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goals and aspirations for the future
Interview questions and why (Link to research):
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start off with general questions to ease the subject into the interview since they might not be used to interviews.
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example questions:
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what places have you traveled to?
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can you share an activity that you have done when you travelled?
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have you tried any unique foods or exotic foods during your travel? explain what the dish is and what it had in it?
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where else would you like to travel? why?
Action shot examples:
Pre- production- Group planning
Theme/topic: Basketball
Interview style: Standard, Host+ Standard and voiceover. We have chosen these interview styles since the topic is about basketball and these topics would compliment the topic.
Interview questions and prompts:
- Hello what is your name and how long have you been playing basketball / basketball for Cambridge?:
Hello My name is Ewan, I have been playing basketball for ___ years and have been playing for Cambridge since September 2023.
- How would you describe playing for Cambridge compared to other teams that you have played for?:
I would have to describe it as ___ and compared to other teams it's very ___.
- How have you found it getting to know your teammates and coach for this team, how is it outside of training and games?:
- Honestly, it has been quite easy, they are all great guys and fun to be around outside of basketball as well.
- How do you think next season will be for Cambridge and you personally as a player?:
Next season? I think it will be great, I think that we are a really strong team and can give other teams a really good run. Personally, I want to try and get better and improve on ___.
Location/ Background Reece: basketball court for the b roll and a classroom (G12) for the interview.
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B-roll/ actions: someone shooting the ball in the hoop, playing basketball, the basketball itself.
B-roll Inspirations:
Storyboard:
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For the first shot, we have decided to start off with the standard interview (the subject of the interview looking off to the side), introducing himself to the audience.
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The second scene consists of a b-roll of a basketball going in the hoop.
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The third scene is another standard interview, starting with the questions for around 30 seconds or more.
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the fourth scene is another b roll of a person shooting the ball in the hoop or in general them just playing basketball. Nearly at the end of this scene, we will add a voiceover and fade it into the next clip.
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The fifth scene, is a host and standard interview style with the host just off to the side of the camera like an off the shoulder style of the interview continuing.
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The last scene, is a scene where the host of the interview tells them "thank you for..." and then the subject of the interview walks off to end the scene.
Documentary Editing:
I applied a noise reduction filter to the audio track to eliminate the background air noise, resulting in clear audio. The interview recording required minimal editing as we were in a quiet environment, with only the subject's voice present. I adjusted the noise reduction level to 80% to address the loudness of the background air noise. Although I considered applying a single-band compressor, it proved unnecessary for the audio. Finally, I replaced the original film sound with our recorded audio track. A parametric equalizer is an essential tool in audio processing, providing precise control over specific frequency bands within a sound signal. fixed frequency bands, parametric equalizers offer flexibility through key parameters: frequency, gain, and Q (quality factor).
To ensure that the clips connect throughout the documentary, I've introduced transitions that smoothly connect the interview footage with the B-roll. Without these transitions, the documentary would lack coherence and interest. I incorporated a variety of transitions, including cross dissolve, dip to black, and film dissolve, to prevent repetition and maintain viewer engagement. This variation enhances the visual storytelling, keeping the audience captivated throughout the narrative.
This level of control enables us to correct imbalances, eliminate unwanted noise, enhance tonal characteristics, and fine-tune the sound to desired specifications, making parametric equalizers indispensable in audio editing.
I've integrated audio transitions to seamlessly connect the interview audio with the B-roll footage. Primarily, I employed the constant power transition for smooth blending. While retaining most of the B-roll audio, I adjusted its volume to mitigate excessive loudness. Additionally, in instances where we overlaid a voiceover onto the B-roll footage, I muted the original audio to ensure clarity and focus on the narration.
Before:
After:
For the B-roll footage, I adjusted the brightness and contrast settings to enhance its visual appeal. By reducing the brightness to -35.0 and the contrast to -9.0, I corrected the overexposure issue, resulting in a more balanced and aesthetically pleasing look. This adjustment ensured that details were not lost in overly bright areas while maintaining a suitable level of contrast for depth and clarity. Overall, these modifications contributed to improving the overall quality and visual consistency of the clip.
Final edited interview:
Reflection:
My research into documentaries played a crucial role in tackling the task at hand, especially considering my limited prior knowledge of the genre due to not watching them frequently. However, diving into various resources beforehand significantly enriched my understanding and equipped me with essential techniques.
Firstly, the initial research provided me with a foundational understanding of documentary filmmaking. This helped me grasp key elements and approaches used in the genre, allowing me to approach my own project with a clearer vision.
Moreover, conducting interview research was immensely beneficial. By gathering insights from professionals in the field, I was able to formulate a solid plan for shooting the film.
Additionally, researching about lighting techniques helped a lot with this task. Despite my limited experience, the research enabled me to strategically set up lighting to highlight the subject effectively. This ensured that the audience's focus remained on the intended message or story throughout the film.
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In the recent task involving pre-production planning, equipment usage, and production skills, I've made notable improvements across various areas. One significant learning point was my introduction to using LED lights. Prior to this task, I hadn't had the opportunity to work with LED lights. Through this experience, I learned about their versatility and the nuances of their usage, such as where and how to position them effectively to achieve the desired lighting effects. This newfound knowledge will undoubtedly be beneficial in future tasks where proper lighting is crucial for setting the mood and highlighting important elements within a scene.
Moreover, my exploration of editing software, particularly Adobe Premiere Pro, proved to be a valuable skill enhancement. Delving into Premiere Pro allowed me to experiment with various editing techniques, including transitions. By incorporating smooth transitions between scenes and audio elements, I was able to enhance the overall coherence and flow of the film. This seamless integration of visual and auditory components not only improved the film's narrative continuity but also elevated its overall production quality.
Moving forward, I aim to continue honing my proficiency in using a diverse range of equipment and software tools. This ongoing development will enable me to adapt more effectively to the demands of future tasks across different genres and production contexts. Additionally, I plan to further explore advanced editing techniques and continue expanding my knowledge base to enhance my overall skill set in filmmaking.
Mini docs
This short documentary follows a voiceover interview style combined with standard footage. It features numerous B-roll segments showcasing the subject's creations, with additional footage emphasizing her message of slowing down and appreciating life's simple joys. The editing sequence includes presenting the interview, showcasing the B-roll to illustrate her process, and demonstrating how she creates her works. While the documentary's theme appeals to a broad audience, some may perceive it as geared towards children due to the focus on origami, typically associated with younger individuals. Filming primarily takes place at the subject's home or its surroundings, minimizing production costs. Permission from the subject was the only requirement for filming in her residence.
This documentary relies heavily on B-roll footage, featuring more of it than interview clips. The standard interview format is complemented by frequent voiceovers to maintain viewer interest. These voiceovers are strategically placed during B-roll segments to enhance engagement; without them, the documentary might lose its appeal, causing the audience to lose interest. The camera placement is notably unconventional, often positioned to the side rather than from a higher angle typical of interviews. While the target audience is broadly aimed at younger boys who may feel hesitant to dance due to societal stereotypes, the documentary addresses their concerns and encourages them to pursue their passion. Filming predominantly occurs at the ballet center, serving as both the backdrop for interviews and B-roll footage.
https://www.youtube.com/watch?v=nVeE0Ti7DaY&list=PLLVb3xPMOqX23ONMhQlTG1lQlx8RI74Vo&index=20
This documentary follows a simple interview format accompanied by voiceovers during B-roll footage. It begins with the subject introducing himself and expressing his passion for cacti. He shares his experiences, including winning prizes for his hobby. The target audience for this documentary is broad, appealing to anyone seeking an engaging hobby to pursue and become passionate about.
https://www.youtube.com/watch?v=9wpKFcdalRQ&list=PLLVb3xPMOqX23ONMhQlTG1lQlx8RI74Vo&index=22
Making the perfect.. (mini doc) Plan:
What to say in the voiceover:
I plan on making the perfect scrambled eggs.
1. This is how you make the perfect scrambled eggs
2. Firstly, to make the perfect scrambled egg, the ingredients and the equipment should be prepared and measured out beforehand for this dish which are 2 eggs, salt, white pepper, crushed peppercorn, garlic granules, a splash of milk, a bowl and a fork to mix it with.
3. Crack the egg first, put a teaspoon of each seasoning and a splash of water.
4. & 5. Adding water in the scrambled eggs makes the eggs' texture fluffier. The water will steam during the cooking process and add air. If you add too much water you can dilute the eggs, and that will result in a bland mess, so stick to a tablespoon per egg and no more.
7. Mixing the eggs when its in the pan is essential since it is what makes the eggs scrambled and it makes it even fluffier if that's the texture you want to achieve.
9. and that's how you make the perfect scrambled eggs.
60 sec task:
Using Lumetri Color in Premiere Pro was a learning curve for me since it was my first time using it, but I found it really helpful in adjusting the overall color of my film. The lighting was pretty harsh, so I needed to cool it down to make it more visually appealing. I turned to YouTube for a tutorial since it was my first time diving into Lumetri Color properly. Following along with the tutorial, I focused on adjusting the light and color to achieve the desired look. It was a bit daunting at first, but I found the process quite rewarding as I saw the footage transform. I think the adjustments I made helped in toning down the warmth and bringing out the cooler tones, which suited the mood I was going for. It's definitely something I want to keep exploring and improving upon in future projects.
I also enhanced the sound of the recording. It was too quiet initially, and I really wanted to give it that cinematic vibe. So, I added a compressor and tweaking the parametric equalizer. It was a bit of trial and error, but I found the right balance that made the sound pop more. To top it off, I experimented with the vocal enhancer setting to really make the dialogue stand out. Overall, I think these adjustments helped elevate the audio quality and added another layer of depth to the project. It was satisfying to see how a few tweaks could make such a difference in the final result.
Final Documentary:
Documentary research
6 Modes of Documentaries
-Performative
-Reflective
-Participatory
-Observational
-Expository
-Poetic
PERFORMATIVE DOCUMENTARY
WHAT IS A PERFORMATIVE DOCUMENTARY?
Performative documentaries are characterised by their distinctive features, which centre around the filmmaker's subjective experience and personal involvement in the story. Morgan Spurlock is clearly involved in "Supersize Me," a noteworthy performative documentary, since he contributes actively to the film. Spurlock documents the impact of a fast-food diet on his own health in addition to acting as the film's director and protagonist. The way the documentary uses Spurlock's personal journey—including his emotional and physical responses—fits with the performative mode's focus on the individual's point of view. In the context of the larger documentary genre, "Supersize Me" is a suitable example of a performative documentary because it features the filmmaker as a prominent figure in addition to Spurlock's captivating and intimate story.
https://www.masterclass.com/articles/understanding-performative-documentary-mode
EXAMPLES?
Reflective DOCUMENTARY
WHAT IS A REFLECTIVE
DOCUMENTARY?
​Reflective documentaries go against conventional documentary conventions by being self-aware and carefully examining the filmmaking process. Although every reflective documentary has a different method, they always share the following characteristics: the filmmakers rethink the nature of the documentary medium, break the fourth wall, and acknowledge their participation. Because it is self-reflective and experimental, "Man with a Movie Camera" clearly matches the reflective mode. Through the use of avant-garde methods and visual effects, Dziga Vertov challenges the audience's conception of reality in addition to showcasing the craft of filmmaking in the documentary. Vertov's deliberate departure from traditional documentary rules can be seen by the film's reflective classification, which is based on its lack of a conventional narrative and its attention on the filmmaking process.
https://www.masterclass.com/articles/understanding-reflexive-documentary-mode
EXAMPLES?
participatory DOCUMENTARY
WHAT IS A PARTICIPATORY DOCUMENTARY?
One characteristic that sets participatory documentaries apart is the filmmaker's active involvement with the subjects and the story. The technique used in each documentary in this genre differs, but all of them have the filmmaker's direct involvement and impact over the events as they happen. The filmmakers, Jean Rouch and Edgar Morin, deliberately engage themselves in the life of the subjects in their groundbreaking participatory documentary "Chronicle of a Summer," partaking in conversations on a range of social concerns and conducting candid interviews. The documentary's use of introspection and the filmmakers' active participation in crafting the story line up with the participatory mode's focus on the interaction between the subjects and the documentarian. The documentary "Chronicle of a Summer" demonstrates the participatory method through incorporating the filmmaking process and capturing the subjects’ lives through the lens of the filmmakers’ active participation.
https://www.masterclass.com/articles/guide-to-participatory-documentaries#4KYclvy65i1JlpzLekYpxV
EXAMPLES?
observational DOCUMENTARY
WHAT IS A OBSERVATIONAL DOCUMENTARY?
Observational documentaries can be identified by a discreet way of documenting actual events without the filmmaker's intervention. Although every observational documentary is unique, they nonetheless have a "fly-on-the-wall" viewpoint and an emphasis on realism. "High School," a classic observational documentary directed by Fredrick Wiseman, follows the everyday interactions and struggles that take place in a high school setting as seen through the eyes of an outsider's perspective. The observational style is emphasised by the lack of voiceover narration or in-person interviews with the subjects, which lets the events happen organically. Extended scenes and unscripted moments in the movie highlight Wiseman's dedication to giving an authentic and unvarnished account of high school life. "High School" is a notable example of the observational documentary style thanks to its understated methodology, which offers a perceptive and genuine look into the dynamics of educational institutions without overt interventions.
https://www.masterclass.com/articles/guide-to-observational-mode
EXAMPLES?
Expository DOCUMENTARY
WHAT IS A EXPOSITORY DOCUMENTARY?
Expository films characterise itself by presenting information in an accurate and straightforward manner, frequently using a lecturing style. Expert interviews, the use of voiceover narration, and the inclusion of data or proof are frequent aspects of documentaries in this format, though specifics may vary. An excellent example of an explanatory documentary is "The Blue Planet," whose authoritative and educational tone makes the style clear. The voiceover narration by Sir David Attenborough leads the listener through an investigation of marine life while offering accurate information and scientific insights. Expert interviews and visually striking footage support the documentary's objective of providing factual and instructive information on the world's oceans. As a result of its commitment to providing facts in an uncomplicated way, "The Blue Planet" appropriately corresponds with the expository mode, offering a comprehensive and educational perspective on marine ecosystems.
https://www.masterclass.com/articles/understanding-expository-documentary-mode
EXAMPLES?
Poetic DOCUMENTARY
WHAT IS A POETIC DOCUMENTARY?
Poetic documentaries are unique in that they prioritise emotional and visual impact over conventional informational material. Although this form has variations, all of them share the use of symbolic graphics, evocative imagery, and a nonlinear narrative framework. The poetic method is evident in a documentary about rain when there is a greater focus on the visual and emotional qualities of the precipitation. The spectator is given a visceral and emotional experience through the use of cinematic devices including slow motion, creative framing, and visually arresting compositions. Despite not having a conventional storyline, the documentary uses the beauty and meaning of rain to express a central theme. The documentary Rain represents the poetic method through its visually striking and emotionally charged narration, thereby altering a seemingly ordinary phenomenon into a captivating and evocative cinematic exploration.
https://www.masterclass.com/articles/guide-to-poetic-documentaries
EXAMPLES?
Piece to camera
what is it?
​In a documentary, a "piece to camera" (PTC) is a segment where the presenter or a significant character address the viewer directly into the camera. This could be used to set the scene, offer personal observations, or deliver information that directs the story. It's a straightforward communication method that gives the documentary a more intimate feel and may increase audience interest. The use of a piece to camera is a stylistic decision made by filmmakers in an effort to break down the fourth wall and engage viewers. It's frequently employed to highlight a specific idea, express a viewpoint, or offer feedback.
examples?
Interviews
what is it?
In a documentary, an interview is an area in which the director or an off-screen interviewer asks questions of people, usually specialists, significant individuals, or eyewitnesses. These interviews are taped, then edited into the documentary to offer personal information, analysis, or professional viewpoints on the topic. A key component of documentary filmmaking are interviews, which enhance the narrative by presenting a range of viewpoints, specialties, and firsthand accounts.
examples?
Actuality Footage
what is it?
In a documentary, "actuality footage" can be defined as raw, unscripted video that documents actual events as they happen. This type of documentary film seeks to show reality as it truly is, without editing or staging. Since reality footage presents real-life events in their authentic setting, it is sometimes contrasted with dramatizations or re-enactments. Viewers can interact directly with real events through this realistic lens, which is created by capturing genuine experiences in raw and unscripted footage. Actuality film sets itself apart from dramatizations and re-enactments by avoiding manufactured scenes, which guarantees a higher level of credibility and immediacy.
examples?
Fly on the wall
what is it?
When used in a documentary, the term "fly on the wall" implies an observational or vérité style of filmmaking. The term "fly on the wall" refers to a documentary style in which the filmmaker takes an observational and non-intrusive approach, seeking to record events and situations as they naturally occur without direct interference. Authenticity is emphasised in this method, which frequently asks for little to no involvement from the director. The purpose of documenting real-life events without staging or scripting is to let the subjects behave spontaneously, unaffected by the camera's presence. The phrase "fly on the wall" refers to the filmmaker's role as an unnoticeable spectator, discreetly recording the happenings without taking part in or controlling the action.
examples?
B reel
what is it?
​The term "B-roll" in documentary filmmaking indicates supplemental or secondary material intended to enhance the main footage, also known as "A-roll." B-roll usually comprises of moments that support or enhance the story, extra material, or cutaway shots. The main audio or voiceover from the major scenes or interviews is frequently placed over this material.
examples?
Studio setups and links
what is it?
A "studio setup" in documentary filmmaking usually refers to setting up a controlled and prepared area for a certain shot or interviews. To provide the best possible conditions for recording, this could involve setting up backdrops, lighting, and audio equipment. In order to control factors and produce a polished image, filmmakers may decide to conduct interviews in a studio-like atmosphere, even though many documentaries prefer a more natural and observational way.
examples?
product shots
what is it?
A "product shot" in a documentary is a segment of the film that highlights a particular product or object that is connected to the documentary's topic. This picture is frequently used to show off a product's characteristics, give descriptive information about it, or highlight how important it is to the story. Product images can vary greatly depending on the documentary's emphasis, ranging from consumer goods to historical objects or scientific apparatus.
examples?
Graphics and animations
what is it?
In a documentary, visual elements designed to improve narrative, explain difficult ideas, or offer more details are referred to as graphics and animations. These components are frequently employed to enhance interviews, live-action video, and other documentary sources.
examples?
Short Documentary Research:
Extension:
Louis Theroux Screening
What techniques have been used in the documentary? Explain why
The documentary employs extensive b-roll footage showcasing the environment and various animals right from the beginning. This technique is employed to immerse the audience in the setting and introduce key elements early on, creating a visually engaging and informative experience. The use of such footage serves to establish the context and set the tone for the documentary, enhancing the viewer's connection with the subject matter.
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Which of Bill Nichols 6 modes of documentary did this documentary most align with and why?
This documentary predominantly aligns with the participatory mode according to Bill Nichols' classification. This is evident in the inclusion of the host within the documentary itself. The participatory mode involves the filmmaker or a host actively engaging with the subject matter, often interacting with the participants or events. By featuring the host in the documentary, it establishes a direct connection between the interviewer and the audience, offering a more involved and interactive storytelling approach.
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What techniques did they use to evoke emotion?
​The documentary effectively elicited emotion through character building, particularly demonstrated by the initial owner who devised a thoughtful solution in case of any issues with the animals or the utilized land. This technique involves presenting the characters in a way that resonates with the audience, showcasing their values, problem-solving skills, and emotional investment in the subject matter. By highlighting the owner's proactive approach to potential challenges, the documentary establishes a connection with viewers, evoking a sense of empathy and admiration for the characters involved, which contributes to the emotional impact of the narrative. The character of the initial owner evolved positively towards the end as the documentary provided insight into his motivations for preserving the land and maintaining the zoo. This character development added depth to his persona, allowing the audience to understand the underlying reasons behind his commitment.
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What techniques did they use to tell a story?
The documentary employed a storytelling technique by incorporating interviews with various individuals, including other employees and exotic pet owners, to provide a broader range of perspectives beyond just that of the initial owner. This approach serves to enrich the narrative by presenting diverse viewpoints and experiences related to the subject matter. By featuring input from multiple sources, the documentary achieves a more comprehensive portrayal of the story, offering insights, opinions, and anecdotes from different angles.
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What techniques or style could you use for your own documentary?
I would like to include B roll in my own documentary since incorporating relevant B-roll footage contributes to the documentary's overall atmosphere, setting the tone for different segments. It can serve as a transition between scenes, emphasize key points, or offer a change of pace, making the viewing experience more dynamic and immersive.
Interviews
Standard
When seated, the subject should gaze slightly away from the camera, adhering to the conventional interview setup for a more cinematic appearance. Ensure that the subject directs their gaze towards the light source.
Pros:
Pros of standard interviews include their safety and adaptability to various conditions.
cons:
​However, on the downside, the conventional approach is deemed safe but lacks creativity and may evoke a sense of distance.
interrotron
​In this setup, the subject is seated, making direct eye contact with the lens and, consequently, the audience. This type of interview fosters a stronger connection between the subject and the audience, achieved through a unique technology resembling a two-way mirror. While it is possible to conduct this without the specialized technology, it may be intimidating for the subject.
Pros:
​Pros of an Interrotron interview include its ability to establish an intimate connection with the audience.
cons:
​However, a notable drawback is that this interview style necessitates special technology, leading to budgetary considerations.
Conversational
In this scenario, numerous characters engage in a discussion on a specific topic, and the filming resembles that of a scripted film. The depiction creates a sense of real-time occurrence and can be achieved using either two cameras or, with sufficient expertise, even just one.
Pros:
Pros of a conversational interview include its ability to feel natural and creatively advance a story.
cons:
On the flip side, a notable con is that it demands a certain level of skill and experience to execute effectively.
host + Standard
​This interview format mirrors a standard setup with a host positioned in a counter shot and a second shot. To establish this, both the subject and the host should direct their gaze slightly off-camera or engage in conversation while looking at each other.
Pros:
The advantages of a host + standard interview lie in its effectiveness for a journalistic-style documentary.
cons:
​However, a notable disadvantage is its frequent use, which may lead to a perception of blandness.
host + conversation
​This interview adopts a conversational style, with a clear identification of the host. Viewers observe the host conducting the interview in an informal manner, creating a conversational atmosphere where the host guides the discussion.
Pros:
The benefits of the host + conversation interview style include its flexibility, allowing for diverse settings like shooting in a car or a park while walking.
cons:
​On the downside, it may become monotonous if the host struggles to ask engaging questions that capture the audience's interest.
in the moment
A conversational style interview where a task is being completed. This is where we see two people do something that is part of the interview.
Pros:
The advantages of an "in-the-moment" interview include its departure from the host conversation style, creating a more authentic atmosphere that doesn't resemble a traditional interview.
cons:
However, a notable disadvantage is the potential for distraction due to the frequent camera movements.
Standard voiceover
​The subject's face remains unseen, with their voice serving as a prominent element throughout the film. This setup involves incorporating extensive b-roll footage related to the documentary, accompanied by a voiceover.
Pros:
cons:
The advantages of a standard voiceover include its effectiveness in encouraging the inclusion of more real-time scenes, providing a broader depiction of life.
However, a notable drawback is that this style may create a sense of disconnection, lacking the feel of a genuine interview.
Voiceover while a footage that is related to the documentary:
B-roll
How are the images being lined up with the audio from the interview?
In the initial stages of the documentary, there is a deliberate synchronization between the voiceover of the subject and the corresponding footage. As the subject expresses the sense of control associated with driving older cars, the footage seamlessly transitions into slow-motion. This technique aims to evoke a feeling of nostalgia and introspection, creating a visual representation that aligns with the interviewee's sentiment of looking back on cherished memories associated with the older cars.
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Are there any moments where the images show exactly what is being said?
In a particular scene of the documentary, there is a synchronicity between the footage and the background music. The background music features someone playing an electric guitar, coinciding with footage of an individual cleaning a part of a car that bears a resemblance to a guitar. This intentional alignment between the audio and the footage serves to enhance the storytelling by creating a metaphorical connection. The guitar playing and cleaning the part of the car, though seemingly unrelated, come together to convey a thematic or symbolic meaning, adding depth and a layer of visual poetry to that specific moment in the documentary.
Lighting
Book light
The book light technique, pioneered by Shane Hurlbut, stands out as a particularly gentle and flattering approach to lighting. To execute this method, direct the light away from the reflective surface, allowing it to bounce off at an angle through a diffusion fabric. This process significantly enhances the light's volume, resulting in a soft and aesthetically pleasing illumination for the subject. The outcome is a beautifully gentle and softly lit appearance.
How to set it up:
Effect:
F the fill
The f the fill lighting technique is helpful when the desired mood for the interview is more somber, darker, or emotionally charged. This method, designed for a moody ambiance, can be accomplished using just one light source. To achieve this effect, position the light farther to either side of the subject and manage the spill of the key light by using flags or an egg crate. Alternatively, for added dramatic impact, introduce a second light source. In this case, lower the intensity of the fill light and ensure that the key light is at least twice as bright, intensifying the overall dramatic atmosphere.
How to set it up:
Effect:
rembrant lighting
Renowned for its cinematic and dramatic impact in both lighting and photography, the Rembrandt lighting technique is a captivating choice for documentary visuals. To set this method up, position the light approximately 60 degrees to either side of the subject's face, ensuring it is slightly elevated and angled downward. The strategic use of a bounce card, which skilfully fills in the shadows and adding depth to the overall composition. This approach lends a timeless and evocative quality, making it particularly effective for documentary storytelling.
How to set it up:
Effect:
The topper
The "Topper" technique proves exceptionally effective when highlighting an authoritative presence of a powerful figure. To execute this lighting effect, position the light source directly above the subject, directing it at a downward angle. By doing so, the illumination emphasizes the subject's stature and prominence, creating a visually compelling impact. This method is specifically tailored to enhance the commanding presence of influential figures, casting a spotlight on their strength and significance.
How to set it up:
Effect:
Silhouette lighting
In a documentary context, silhouette lighting serves as a compelling visual technique to evoke emotion and convey a sense of mystery. This method involves strategically placing the primary light source behind the subject, creating a striking contrast between the subject and the background. By allowing the subject to remain in shadow and adjusting the camera exposure to capture the details of the background, filmmakers can emphasize the form and gestures of the subjects without revealing facial features. The choice of a clean and uncluttered background remains important, ensuring that the silhouette remains visually distinct. Silhouette lighting in documentaries can enhance storytelling by adding a cinematic touch, engaging the audience with its dramatic and evocative visual impact, especially when capturing powerful or emotionally charged moments.
How to set it up:
Effect:
Individual Interview plan
Theme or Topic:
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passions, interests like food, travelling, hobbies.
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career journey and experiences in college
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goals and aspirations for the future
Interview questions and why (Link to research):
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start off with general questions to ease the subject into the interview since they might not be used to interviews.
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example questions:
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what places have you traveled to?
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can you share an activity that you have done when you travelled?
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have you tried any unique foods or exotic foods during your travel? explain what the dish is and what it had in it?
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where else would you like to travel? why?
Action shot examples:
Pre- production- Group planning
Theme/topic: Basketball
Interview style: Standard, Host+ Standard and voiceover. We have chosen these interview styles since the topic is about basketball and these topics would compliment the topic.
Interview questions and prompts:
- Hello what is your name and how long have you been playing basketball / basketball for Cambridge?:
Hello My name is Ewan, I have been playing basketball for ___ years and have been playing for Cambridge since September 2023.
- How would you describe playing for Cambridge compared to other teams that you have played for?:
I would have to describe it as ___ and compared to other teams it's very ___.
- How have you found it getting to know your teammates and coach for this team, how is it outside of training and games?:
- Honestly, it has been quite easy, they are all great guys and fun to be around outside of basketball as well.
- How do you think next season will be for Cambridge and you personally as a player?:
Next season? I think it will be great, I think that we are a really strong team and can give other teams a really good run. Personally, I want to try and get better and improve on ___.
Location/ Background Reece: basketball court for the b roll and a classroom (G12) for the interview.
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B-roll/ actions: someone shooting the ball in the hoop, playing basketball, the basketball itself.
B-roll Inspirations:
Storyboard:
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For the first shot, we have decided to start off with the standard interview (the subject of the interview looking off to the side), introducing himself to the audience.
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The second scene consists of a b-roll of a basketball going in the hoop.
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The third scene is another standard interview, starting with the questions for around 30 seconds or more.
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the fourth scene is another b roll of a person shooting the ball in the hoop or in general them just playing basketball. Nearly at the end of this scene, we will add a voiceover and fade it into the next clip.
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The fifth scene, is a host and standard interview style with the host just off to the side of the camera like an off the shoulder style of the interview continuing.
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The last scene, is a scene where the host of the interview tells them "thank you for..." and then the subject of the interview walks off to end the scene.
Documentary Editing:
I applied a noise reduction filter to the audio track to eliminate the background air noise, resulting in clear audio. The interview recording required minimal editing as we were in a quiet environment, with only the subject's voice present. I adjusted the noise reduction level to 80% to address the loudness of the background air noise. Although I considered applying a single-band compressor, it proved unnecessary for the audio. Finally, I replaced the original film sound with our recorded audio track. A parametric equalizer is an essential tool in audio processing, providing precise control over specific frequency bands within a sound signal. fixed frequency bands, parametric equalizers offer flexibility through key parameters: frequency, gain, and Q (quality factor).
To ensure that the clips connect throughout the documentary, I've introduced transitions that smoothly connect the interview footage with the B-roll. Without these transitions, the documentary would lack coherence and interest. I incorporated a variety of transitions, including cross dissolve, dip to black, and film dissolve, to prevent repetition and maintain viewer engagement. This variation enhances the visual storytelling, keeping the audience captivated throughout the narrative.
This level of control enables us to correct imbalances, eliminate unwanted noise, enhance tonal characteristics, and fine-tune the sound to desired specifications, making parametric equalizers indispensable in audio editing.
I've integrated audio transitions to seamlessly connect the interview audio with the B-roll footage. Primarily, I employed the constant power transition for smooth blending. While retaining most of the B-roll audio, I adjusted its volume to mitigate excessive loudness. Additionally, in instances where we overlaid a voiceover onto the B-roll footage, I muted the original audio to ensure clarity and focus on the narration.
Before:
After:
For the B-roll footage, I adjusted the brightness and contrast settings to enhance its visual appeal. By reducing the brightness to -35.0 and the contrast to -9.0, I corrected the overexposure issue, resulting in a more balanced and aesthetically pleasing look. This adjustment ensured that details were not lost in overly bright areas while maintaining a suitable level of contrast for depth and clarity. Overall, these modifications contributed to improving the overall quality and visual consistency of the clip.
Final edited interview:
Reflection:
My research into documentaries played a crucial role in tackling the task at hand, especially considering my limited prior knowledge of the genre due to not watching them frequently. However, diving into various resources beforehand significantly enriched my understanding and equipped me with essential techniques.
Firstly, the initial research provided me with a foundational understanding of documentary filmmaking. This helped me grasp key elements and approaches used in the genre, allowing me to approach my own project with a clearer vision.
Moreover, conducting interview research was immensely beneficial. By gathering insights from professionals in the field, I was able to formulate a solid plan for shooting the film.
Additionally, researching about lighting techniques helped a lot with this task. Despite my limited experience, the research enabled me to strategically set up lighting to highlight the subject effectively. This ensured that the audience's focus remained on the intended message or story throughout the film.
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In the recent task involving pre-production planning, equipment usage, and production skills, I've made notable improvements across various areas. One significant learning point was my introduction to using LED lights. Prior to this task, I hadn't had the opportunity to work with LED lights. Through this experience, I learned about their versatility and the nuances of their usage, such as where and how to position them effectively to achieve the desired lighting effects. This newfound knowledge will undoubtedly be beneficial in future tasks where proper lighting is crucial for setting the mood and highlighting important elements within a scene.
Moreover, my exploration of editing software, particularly Adobe Premiere Pro, proved to be a valuable skill enhancement. Delving into Premiere Pro allowed me to experiment with various editing techniques, including transitions. By incorporating smooth transitions between scenes and audio elements, I was able to enhance the overall coherence and flow of the film. This seamless integration of visual and auditory components not only improved the film's narrative continuity but also elevated its overall production quality.
Moving forward, I aim to continue honing my proficiency in using a diverse range of equipment and software tools. This ongoing development will enable me to adapt more effectively to the demands of future tasks across different genres and production contexts. Additionally, I plan to further explore advanced editing techniques and continue expanding my knowledge base to enhance my overall skill set in filmmaking.
Mini docs
This short documentary follows a voiceover interview style combined with standard footage. It features numerous B-roll segments showcasing the subject's creations, with additional footage emphasizing her message of slowing down and appreciating life's simple joys. The editing sequence includes presenting the interview, showcasing the B-roll to illustrate her process, and demonstrating how she creates her works. While the documentary's theme appeals to a broad audience, some may perceive it as geared towards children due to the focus on origami, typically associated with younger individuals. Filming primarily takes place at the subject's home or its surroundings, minimizing production costs. Permission from the subject was the only requirement for filming in her residence.
This documentary relies heavily on B-roll footage, featuring more of it than interview clips. The standard interview format is complemented by frequent voiceovers to maintain viewer interest. These voiceovers are strategically placed during B-roll segments to enhance engagement; without them, the documentary might lose its appeal, causing the audience to lose interest. The camera placement is notably unconventional, often positioned to the side rather than from a higher angle typical of interviews. While the target audience is broadly aimed at younger boys who may feel hesitant to dance due to societal stereotypes, the documentary addresses their concerns and encourages them to pursue their passion. Filming predominantly occurs at the ballet center, serving as both the backdrop for interviews and B-roll footage.
https://www.youtube.com/watch?v=nVeE0Ti7DaY&list=PLLVb3xPMOqX23ONMhQlTG1lQlx8RI74Vo&index=20
This documentary follows a simple interview format accompanied by voiceovers during B-roll footage. It begins with the subject introducing himself and expressing his passion for cacti. He shares his experiences, including winning prizes for his hobby. The target audience for this documentary is broad, appealing to anyone seeking an engaging hobby to pursue and become passionate about.
https://www.youtube.com/watch?v=9wpKFcdalRQ&list=PLLVb3xPMOqX23ONMhQlTG1lQlx8RI74Vo&index=22
Making the perfect.. (mini doc) Plan:
What to say in the voiceover:
I plan on making the perfect scrambled eggs.
1. This is how you make the perfect scrambled eggs
2. Firstly, to make the perfect scrambled egg, the ingredients and the equipment should be prepared and measured out beforehand for this dish which are 2 eggs, salt, white pepper, crushed peppercorn, garlic granules, a splash of milk, a bowl and a fork to mix it with.
3. Crack the egg first, put a teaspoon of each seasoning and a splash of water.
4. & 5. Adding water in the scrambled eggs makes the eggs' texture fluffier. The water will steam during the cooking process and add air. If you add too much water you can dilute the eggs, and that will result in a bland mess, so stick to a tablespoon per egg and no more.
7. Mixing the eggs when its in the pan is essential since it is what makes the eggs scrambled and it makes it even fluffier if that's the texture you want to achieve.
9. and that's how you make the perfect scrambled eggs.
60 sec task:
Using Lumetri Color in Premiere Pro was a learning curve for me since it was my first time using it, but I found it really helpful in adjusting the overall color of my film. The lighting was pretty harsh, so I needed to cool it down to make it more visually appealing. I turned to YouTube for a tutorial since it was my first time diving into Lumetri Color properly. Following along with the tutorial, I focused on adjusting the light and color to achieve the desired look. It was a bit daunting at first, but I found the process quite rewarding as I saw the footage transform. I think the adjustments I made helped in toning down the warmth and bringing out the cooler tones, which suited the mood I was going for. It's definitely something I want to keep exploring and improving upon in future projects.
I also enhanced the sound of the recording. It was too quiet initially, and I really wanted to give it that cinematic vibe. So, I added a compressor and tweaking the parametric equalizer. It was a bit of trial and error, but I found the right balance that made the sound pop more. To top it off, I experimented with the vocal enhancer setting to really make the dialogue stand out. Overall, I think these adjustments helped elevate the audio quality and added another layer of depth to the project. It was satisfying to see how a few tweaks could make such a difference in the final result.
Final Documentary:
Documentary research
6 Modes of Documentaries
-Performative
-Reflective
-Participatory
-Observational
-Expository
-Poetic
PERFORMATIVE DOCUMENTARY
WHAT IS A PERFORMATIVE DOCUMENTARY?
Performative documentaries are characterised by their distinctive features, which centre around the filmmaker's subjective experience and personal involvement in the story. Morgan Spurlock is clearly involved in "Supersize Me," a noteworthy performative documentary, since he contributes actively to the film. Spurlock documents the impact of a fast-food diet on his own health in addition to acting as the film's director and protagonist. The way the documentary uses Spurlock's personal journey—including his emotional and physical responses—fits with the performative mode's focus on the individual's point of view. In the context of the larger documentary genre, "Supersize Me" is a suitable example of a performative documentary because it features the filmmaker as a prominent figure in addition to Spurlock's captivating and intimate story.
https://www.masterclass.com/articles/understanding-performative-documentary-mode
EXAMPLES?
Reflective DOCUMENTARY
WHAT IS A REFLECTIVE
DOCUMENTARY?
​Reflective documentaries go against conventional documentary conventions by being self-aware and carefully examining the filmmaking process. Although every reflective documentary has a different method, they always share the following characteristics: the filmmakers rethink the nature of the documentary medium, break the fourth wall, and acknowledge their participation. Because it is self-reflective and experimental, "Man with a Movie Camera" clearly matches the reflective mode. Through the use of avant-garde methods and visual effects, Dziga Vertov challenges the audience's conception of reality in addition to showcasing the craft of filmmaking in the documentary. Vertov's deliberate departure from traditional documentary rules can be seen by the film's reflective classification, which is based on its lack of a conventional narrative and its attention on the filmmaking process.
https://www.masterclass.com/articles/understanding-reflexive-documentary-mode
EXAMPLES?
participatory DOCUMENTARY
WHAT IS A PARTICIPATORY DOCUMENTARY?
One characteristic that sets participatory documentaries apart is the filmmaker's active involvement with the subjects and the story. The technique used in each documentary in this genre differs, but all of them have the filmmaker's direct involvement and impact over the events as they happen. The filmmakers, Jean Rouch and Edgar Morin, deliberately engage themselves in the life of the subjects in their groundbreaking participatory documentary "Chronicle of a Summer," partaking in conversations on a range of social concerns and conducting candid interviews. The documentary's use of introspection and the filmmakers' active participation in crafting the story line up with the participatory mode's focus on the interaction between the subjects and the documentarian. The documentary "Chronicle of a Summer" demonstrates the participatory method through incorporating the filmmaking process and capturing the subjects’ lives through the lens of the filmmakers’ active participation.
https://www.masterclass.com/articles/guide-to-participatory-documentaries#4KYclvy65i1JlpzLekYpxV
EXAMPLES?
observational DOCUMENTARY
WHAT IS A OBSERVATIONAL DOCUMENTARY?
Observational documentaries can be identified by a discreet way of documenting actual events without the filmmaker's intervention. Although every observational documentary is unique, they nonetheless have a "fly-on-the-wall" viewpoint and an emphasis on realism. "High School," a classic observational documentary directed by Fredrick Wiseman, follows the everyday interactions and struggles that take place in a high school setting as seen through the eyes of an outsider's perspective. The observational style is emphasised by the lack of voiceover narration or in-person interviews with the subjects, which lets the events happen organically. Extended scenes and unscripted moments in the movie highlight Wiseman's dedication to giving an authentic and unvarnished account of high school life. "High School" is a notable example of the observational documentary style thanks to its understated methodology, which offers a perceptive and genuine look into the dynamics of educational institutions without overt interventions.
https://www.masterclass.com/articles/guide-to-observational-mode
EXAMPLES?
Expository DOCUMENTARY
WHAT IS A EXPOSITORY DOCUMENTARY?
Expository films characterise itself by presenting information in an accurate and straightforward manner, frequently using a lecturing style. Expert interviews, the use of voiceover narration, and the inclusion of data or proof are frequent aspects of documentaries in this format, though specifics may vary. An excellent example of an explanatory documentary is "The Blue Planet," whose authoritative and educational tone makes the style clear. The voiceover narration by Sir David Attenborough leads the listener through an investigation of marine life while offering accurate information and scientific insights. Expert interviews and visually striking footage support the documentary's objective of providing factual and instructive information on the world's oceans. As a result of its commitment to providing facts in an uncomplicated way, "The Blue Planet" appropriately corresponds with the expository mode, offering a comprehensive and educational perspective on marine ecosystems.
https://www.masterclass.com/articles/understanding-expository-documentary-mode
EXAMPLES?
Poetic DOCUMENTARY
WHAT IS A POETIC DOCUMENTARY?
Poetic documentaries are unique in that they prioritise emotional and visual impact over conventional informational material. Although this form has variations, all of them share the use of symbolic graphics, evocative imagery, and a nonlinear narrative framework. The poetic method is evident in a documentary about rain when there is a greater focus on the visual and emotional qualities of the precipitation. The spectator is given a visceral and emotional experience through the use of cinematic devices including slow motion, creative framing, and visually arresting compositions. Despite not having a conventional storyline, the documentary uses the beauty and meaning of rain to express a central theme. The documentary Rain represents the poetic method through its visually striking and emotionally charged narration, thereby altering a seemingly ordinary phenomenon into a captivating and evocative cinematic exploration.
https://www.masterclass.com/articles/guide-to-poetic-documentaries
EXAMPLES?
Piece to camera
what is it?
​In a documentary, a "piece to camera" (PTC) is a segment where the presenter or a significant character address the viewer directly into the camera. This could be used to set the scene, offer personal observations, or deliver information that directs the story. It's a straightforward communication method that gives the documentary a more intimate feel and may increase audience interest. The use of a piece to camera is a stylistic decision made by filmmakers in an effort to break down the fourth wall and engage viewers. It's frequently employed to highlight a specific idea, express a viewpoint, or offer feedback.
examples?
Interviews
what is it?
In a documentary, an interview is an area in which the director or an off-screen interviewer asks questions of people, usually specialists, significant individuals, or eyewitnesses. These interviews are taped, then edited into the documentary to offer personal information, analysis, or professional viewpoints on the topic. A key component of documentary filmmaking are interviews, which enhance the narrative by presenting a range of viewpoints, specialties, and firsthand accounts.
examples?
Actuality Footage
what is it?
In a documentary, "actuality footage" can be defined as raw, unscripted video that documents actual events as they happen. This type of documentary film seeks to show reality as it truly is, without editing or staging. Since reality footage presents real-life events in their authentic setting, it is sometimes contrasted with dramatizations or re-enactments. Viewers can interact directly with real events through this realistic lens, which is created by capturing genuine experiences in raw and unscripted footage. Actuality film sets itself apart from dramatizations and re-enactments by avoiding manufactured scenes, which guarantees a higher level of credibility and immediacy.
examples?
Fly on the wall
what is it?
When used in a documentary, the term "fly on the wall" implies an observational or vérité style of filmmaking. The term "fly on the wall" refers to a documentary style in which the filmmaker takes an observational and non-intrusive approach, seeking to record events and situations as they naturally occur without direct interference. Authenticity is emphasised in this method, which frequently asks for little to no involvement from the director. The purpose of documenting real-life events without staging or scripting is to let the subjects behave spontaneously, unaffected by the camera's presence. The phrase "fly on the wall" refers to the filmmaker's role as an unnoticeable spectator, discreetly recording the happenings without taking part in or controlling the action.
examples?
B reel
what is it?
​The term "B-roll" in documentary filmmaking indicates supplemental or secondary material intended to enhance the main footage, also known as "A-roll." B-roll usually comprises of moments that support or enhance the story, extra material, or cutaway shots. The main audio or voiceover from the major scenes or interviews is frequently placed over this material.
examples?
Studio setups and links
what is it?
A "studio setup" in documentary filmmaking usually refers to setting up a controlled and prepared area for a certain shot or interviews. To provide the best possible conditions for recording, this could involve setting up backdrops, lighting, and audio equipment. In order to control factors and produce a polished image, filmmakers may decide to conduct interviews in a studio-like atmosphere, even though many documentaries prefer a more natural and observational way.
examples?
product shots
what is it?
A "product shot" in a documentary is a segment of the film that highlights a particular product or object that is connected to the documentary's topic. This picture is frequently used to show off a product's characteristics, give descriptive information about it, or highlight how important it is to the story. Product images can vary greatly depending on the documentary's emphasis, ranging from consumer goods to historical objects or scientific apparatus.
examples?
Graphics and animations
what is it?
In a documentary, visual elements designed to improve narrative, explain difficult ideas, or offer more details are referred to as graphics and animations. These components are frequently employed to enhance interviews, live-action video, and other documentary sources.
examples?
Short Documentary Research:
Extension:
Louis Theroux Screening
What techniques have been used in the documentary? Explain why
The documentary employs extensive b-roll footage showcasing the environment and various animals right from the beginning. This technique is employed to immerse the audience in the setting and introduce key elements early on, creating a visually engaging and informative experience. The use of such footage serves to establish the context and set the tone for the documentary, enhancing the viewer's connection with the subject matter.
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Which of Bill Nichols 6 modes of documentary did this documentary most align with and why?
This documentary predominantly aligns with the participatory mode according to Bill Nichols' classification. This is evident in the inclusion of the host within the documentary itself. The participatory mode involves the filmmaker or a host actively engaging with the subject matter, often interacting with the participants or events. By featuring the host in the documentary, it establishes a direct connection between the interviewer and the audience, offering a more involved and interactive storytelling approach.
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What techniques did they use to evoke emotion?
​The documentary effectively elicited emotion through character building, particularly demonstrated by the initial owner who devised a thoughtful solution in case of any issues with the animals or the utilized land. This technique involves presenting the characters in a way that resonates with the audience, showcasing their values, problem-solving skills, and emotional investment in the subject matter. By highlighting the owner's proactive approach to potential challenges, the documentary establishes a connection with viewers, evoking a sense of empathy and admiration for the characters involved, which contributes to the emotional impact of the narrative. The character of the initial owner evolved positively towards the end as the documentary provided insight into his motivations for preserving the land and maintaining the zoo. This character development added depth to his persona, allowing the audience to understand the underlying reasons behind his commitment.
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What techniques did they use to tell a story?
The documentary employed a storytelling technique by incorporating interviews with various individuals, including other employees and exotic pet owners, to provide a broader range of perspectives beyond just that of the initial owner. This approach serves to enrich the narrative by presenting diverse viewpoints and experiences related to the subject matter. By featuring input from multiple sources, the documentary achieves a more comprehensive portrayal of the story, offering insights, opinions, and anecdotes from different angles.
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What techniques or style could you use for your own documentary?
I would like to include B roll in my own documentary since incorporating relevant B-roll footage contributes to the documentary's overall atmosphere, setting the tone for different segments. It can serve as a transition between scenes, emphasize key points, or offer a change of pace, making the viewing experience more dynamic and immersive.
Interviews
Standard
When seated, the subject should gaze slightly away from the camera, adhering to the conventional interview setup for a more cinematic appearance. Ensure that the subject directs their gaze towards the light source.
Pros:
Pros of standard interviews include their safety and adaptability to various conditions.
cons:
​However, on the downside, the conventional approach is deemed safe but lacks creativity and may evoke a sense of distance.
interrotron
​In this setup, the subject is seated, making direct eye contact with the lens and, consequently, the audience. This type of interview fosters a stronger connection between the subject and the audience, achieved through a unique technology resembling a two-way mirror. While it is possible to conduct this without the specialized technology, it may be intimidating for the subject.
Pros:
​Pros of an Interrotron interview include its ability to establish an intimate connection with the audience.
cons:
​However, a notable drawback is that this interview style necessitates special technology, leading to budgetary considerations.
Conversational
In this scenario, numerous characters engage in a discussion on a specific topic, and the filming resembles that of a scripted film. The depiction creates a sense of real-time occurrence and can be achieved using either two cameras or, with sufficient expertise, even just one.
Pros:
Pros of a conversational interview include its ability to feel natural and creatively advance a story.
cons:
On the flip side, a notable con is that it demands a certain level of skill and experience to execute effectively.
host + Standard
​This interview format mirrors a standard setup with a host positioned in a counter shot and a second shot. To establish this, both the subject and the host should direct their gaze slightly off-camera or engage in conversation while looking at each other.
Pros:
The advantages of a host + standard interview lie in its effectiveness for a journalistic-style documentary.
cons:
​However, a notable disadvantage is its frequent use, which may lead to a perception of blandness.
host + conversation
​This interview adopts a conversational style, with a clear identification of the host. Viewers observe the host conducting the interview in an informal manner, creating a conversational atmosphere where the host guides the discussion.
Pros:
The benefits of the host + conversation interview style include its flexibility, allowing for diverse settings like shooting in a car or a park while walking.
cons:
​On the downside, it may become monotonous if the host struggles to ask engaging questions that capture the audience's interest.
in the moment
A conversational style interview where a task is being completed. This is where we see two people do something that is part of the interview.
Pros:
The advantages of an "in-the-moment" interview include its departure from the host conversation style, creating a more authentic atmosphere that doesn't resemble a traditional interview.
cons:
However, a notable disadvantage is the potential for distraction due to the frequent camera movements.
Standard voiceover
​The subject's face remains unseen, with their voice serving as a prominent element throughout the film. This setup involves incorporating extensive b-roll footage related to the documentary, accompanied by a voiceover.
Pros:
cons:
The advantages of a standard voiceover include its effectiveness in encouraging the inclusion of more real-time scenes, providing a broader depiction of life.
However, a notable drawback is that this style may create a sense of disconnection, lacking the feel of a genuine interview.
Voiceover while a footage that is related to the documentary:
B-roll
How are the images being lined up with the audio from the interview?
In the initial stages of the documentary, there is a deliberate synchronization between the voiceover of the subject and the corresponding footage. As the subject expresses the sense of control associated with driving older cars, the footage seamlessly transitions into slow-motion. This technique aims to evoke a feeling of nostalgia and introspection, creating a visual representation that aligns with the interviewee's sentiment of looking back on cherished memories associated with the older cars.
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Are there any moments where the images show exactly what is being said?
In a particular scene of the documentary, there is a synchronicity between the footage and the background music. The background music features someone playing an electric guitar, coinciding with footage of an individual cleaning a part of a car that bears a resemblance to a guitar. This intentional alignment between the audio and the footage serves to enhance the storytelling by creating a metaphorical connection. The guitar playing and cleaning the part of the car, though seemingly unrelated, come together to convey a thematic or symbolic meaning, adding depth and a layer of visual poetry to that specific moment in the documentary.
Lighting
Book light
The book light technique, pioneered by Shane Hurlbut, stands out as a particularly gentle and flattering approach to lighting. To execute this method, direct the light away from the reflective surface, allowing it to bounce off at an angle through a diffusion fabric. This process significantly enhances the light's volume, resulting in a soft and aesthetically pleasing illumination for the subject. The outcome is a beautifully gentle and softly lit appearance.
How to set it up:
Effect:
F the fill
The f the fill lighting technique is helpful when the desired mood for the interview is more somber, darker, or emotionally charged. This method, designed for a moody ambiance, can be accomplished using just one light source. To achieve this effect, position the light farther to either side of the subject and manage the spill of the key light by using flags or an egg crate. Alternatively, for added dramatic impact, introduce a second light source. In this case, lower the intensity of the fill light and ensure that the key light is at least twice as bright, intensifying the overall dramatic atmosphere.
How to set it up:
Effect:
rembrant lighting
Renowned for its cinematic and dramatic impact in both lighting and photography, the Rembrandt lighting technique is a captivating choice for documentary visuals. To set this method up, position the light approximately 60 degrees to either side of the subject's face, ensuring it is slightly elevated and angled downward. The strategic use of a bounce card, which skilfully fills in the shadows and adding depth to the overall composition. This approach lends a timeless and evocative quality, making it particularly effective for documentary storytelling.
How to set it up:
Effect:
The topper
The "Topper" technique proves exceptionally effective when highlighting an authoritative presence of a powerful figure. To execute this lighting effect, position the light source directly above the subject, directing it at a downward angle. By doing so, the illumination emphasizes the subject's stature and prominence, creating a visually compelling impact. This method is specifically tailored to enhance the commanding presence of influential figures, casting a spotlight on their strength and significance.
How to set it up:
Effect:
Silhouette lighting
In a documentary context, silhouette lighting serves as a compelling visual technique to evoke emotion and convey a sense of mystery. This method involves strategically placing the primary light source behind the subject, creating a striking contrast between the subject and the background. By allowing the subject to remain in shadow and adjusting the camera exposure to capture the details of the background, filmmakers can emphasize the form and gestures of the subjects without revealing facial features. The choice of a clean and uncluttered background remains important, ensuring that the silhouette remains visually distinct. Silhouette lighting in documentaries can enhance storytelling by adding a cinematic touch, engaging the audience with its dramatic and evocative visual impact, especially when capturing powerful or emotionally charged moments.
How to set it up:
Effect:
Individual Interview plan
Theme or Topic:
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passions, interests like food, travelling, hobbies.
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career journey and experiences in college
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goals and aspirations for the future
Interview questions and why (Link to research):
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start off with general questions to ease the subject into the interview since they might not be used to interviews.
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example questions:
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what places have you traveled to?
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can you share an activity that you have done when you travelled?
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have you tried any unique foods or exotic foods during your travel? explain what the dish is and what it had in it?
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where else would you like to travel? why?
Action shot examples:
Pre- production- Group planning
Theme/topic: Basketball
Interview style: Standard, Host+ Standard and voiceover. We have chosen these interview styles since the topic is about basketball and these topics would compliment the topic.
Interview questions and prompts:
- Hello what is your name and how long have you been playing basketball / basketball for Cambridge?:
Hello My name is Ewan, I have been playing basketball for ___ years and have been playing for Cambridge since September 2023.
- How would you describe playing for Cambridge compared to other teams that you have played for?:
I would have to describe it as ___ and compared to other teams it's very ___.
- How have you found it getting to know your teammates and coach for this team, how is it outside of training and games?:
- Honestly, it has been quite easy, they are all great guys and fun to be around outside of basketball as well.
- How do you think next season will be for Cambridge and you personally as a player?:
Next season? I think it will be great, I think that we are a really strong team and can give other teams a really good run. Personally, I want to try and get better and improve on ___.
Location/ Background Reece: basketball court for the b roll and a classroom (G12) for the interview.
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B-roll/ actions: someone shooting the ball in the hoop, playing basketball, the basketball itself.
B-roll Inspirations:
Storyboard:
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For the first shot, we have decided to start off with the standard interview (the subject of the interview looking off to the side), introducing himself to the audience.
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The second scene consists of a b-roll of a basketball going in the hoop.
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The third scene is another standard interview, starting with the questions for around 30 seconds or more.
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the fourth scene is another b roll of a person shooting the ball in the hoop or in general them just playing basketball. Nearly at the end of this scene, we will add a voiceover and fade it into the next clip.
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The fifth scene, is a host and standard interview style with the host just off to the side of the camera like an off the shoulder style of the interview continuing.
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The last scene, is a scene where the host of the interview tells them "thank you for..." and then the subject of the interview walks off to end the scene.
Documentary Editing:
I applied a noise reduction filter to the audio track to eliminate the background air noise, resulting in clear audio. The interview recording required minimal editing as we were in a quiet environment, with only the subject's voice present. I adjusted the noise reduction level to 80% to address the loudness of the background air noise. Although I considered applying a single-band compressor, it proved unnecessary for the audio. Finally, I replaced the original film sound with our recorded audio track. A parametric equalizer is an essential tool in audio processing, providing precise control over specific frequency bands within a sound signal. fixed frequency bands, parametric equalizers offer flexibility through key parameters: frequency, gain, and Q (quality factor).
To ensure that the clips connect throughout the documentary, I've introduced transitions that smoothly connect the interview footage with the B-roll. Without these transitions, the documentary would lack coherence and interest. I incorporated a variety of transitions, including cross dissolve, dip to black, and film dissolve, to prevent repetition and maintain viewer engagement. This variation enhances the visual storytelling, keeping the audience captivated throughout the narrative.
This level of control enables us to correct imbalances, eliminate unwanted noise, enhance tonal characteristics, and fine-tune the sound to desired specifications, making parametric equalizers indispensable in audio editing.
I've integrated audio transitions to seamlessly connect the interview audio with the B-roll footage. Primarily, I employed the constant power transition for smooth blending. While retaining most of the B-roll audio, I adjusted its volume to mitigate excessive loudness. Additionally, in instances where we overlaid a voiceover onto the B-roll footage, I muted the original audio to ensure clarity and focus on the narration.
Before:
After:
For the B-roll footage, I adjusted the brightness and contrast settings to enhance its visual appeal. By reducing the brightness to -35.0 and the contrast to -9.0, I corrected the overexposure issue, resulting in a more balanced and aesthetically pleasing look. This adjustment ensured that details were not lost in overly bright areas while maintaining a suitable level of contrast for depth and clarity. Overall, these modifications contributed to improving the overall quality and visual consistency of the clip.
Final edited interview:
Reflection:
My research into documentaries played a crucial role in tackling the task at hand, especially considering my limited prior knowledge of the genre due to not watching them frequently. However, diving into various resources beforehand significantly enriched my understanding and equipped me with essential techniques.
Firstly, the initial research provided me with a foundational understanding of documentary filmmaking. This helped me grasp key elements and approaches used in the genre, allowing me to approach my own project with a clearer vision.
Moreover, conducting interview research was immensely beneficial. By gathering insights from professionals in the field, I was able to formulate a solid plan for shooting the film.
Additionally, researching about lighting techniques helped a lot with this task. Despite my limited experience, the research enabled me to strategically set up lighting to highlight the subject effectively. This ensured that the audience's focus remained on the intended message or story throughout the film.
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In the recent task involving pre-production planning, equipment usage, and production skills, I've made notable improvements across various areas. One significant learning point was my introduction to using LED lights. Prior to this task, I hadn't had the opportunity to work with LED lights. Through this experience, I learned about their versatility and the nuances of their usage, such as where and how to position them effectively to achieve the desired lighting effects. This newfound knowledge will undoubtedly be beneficial in future tasks where proper lighting is crucial for setting the mood and highlighting important elements within a scene.
Moreover, my exploration of editing software, particularly Adobe Premiere Pro, proved to be a valuable skill enhancement. Delving into Premiere Pro allowed me to experiment with various editing techniques, including transitions. By incorporating smooth transitions between scenes and audio elements, I was able to enhance the overall coherence and flow of the film. This seamless integration of visual and auditory components not only improved the film's narrative continuity but also elevated its overall production quality.
Moving forward, I aim to continue honing my proficiency in using a diverse range of equipment and software tools. This ongoing development will enable me to adapt more effectively to the demands of future tasks across different genres and production contexts. Additionally, I plan to further explore advanced editing techniques and continue expanding my knowledge base to enhance my overall skill set in filmmaking.
Mini docs
This short documentary follows a voiceover interview style combined with standard footage. It features numerous B-roll segments showcasing the subject's creations, with additional footage emphasizing her message of slowing down and appreciating life's simple joys. The editing sequence includes presenting the interview, showcasing the B-roll to illustrate her process, and demonstrating how she creates her works. While the documentary's theme appeals to a broad audience, some may perceive it as geared towards children due to the focus on origami, typically associated with younger individuals. Filming primarily takes place at the subject's home or its surroundings, minimizing production costs. Permission from the subject was the only requirement for filming in her residence.
This documentary relies heavily on B-roll footage, featuring more of it than interview clips. The standard interview format is complemented by frequent voiceovers to maintain viewer interest. These voiceovers are strategically placed during B-roll segments to enhance engagement; without them, the documentary might lose its appeal, causing the audience to lose interest. The camera placement is notably unconventional, often positioned to the side rather than from a higher angle typical of interviews. While the target audience is broadly aimed at younger boys who may feel hesitant to dance due to societal stereotypes, the documentary addresses their concerns and encourages them to pursue their passion. Filming predominantly occurs at the ballet center, serving as both the backdrop for interviews and B-roll footage.
https://www.youtube.com/watch?v=nVeE0Ti7DaY&list=PLLVb3xPMOqX23ONMhQlTG1lQlx8RI74Vo&index=20
This documentary follows a simple interview format accompanied by voiceovers during B-roll footage. It begins with the subject introducing himself and expressing his passion for cacti. He shares his experiences, including winning prizes for his hobby. The target audience for this documentary is broad, appealing to anyone seeking an engaging hobby to pursue and become passionate about.
https://www.youtube.com/watch?v=9wpKFcdalRQ&list=PLLVb3xPMOqX23ONMhQlTG1lQlx8RI74Vo&index=22
Making the perfect.. (mini doc) Plan:
What to say in the voiceover:
I plan on making the perfect scrambled eggs.
1. This is how you make the perfect scrambled eggs
2. Firstly, to make the perfect scrambled egg, the ingredients and the equipment should be prepared and measured out beforehand for this dish which are 2 eggs, salt, white pepper, crushed peppercorn, garlic granules, a splash of milk, a bowl and a fork to mix it with.
3. Crack the egg first, put a teaspoon of each seasoning and a splash of water.
4. & 5. Adding water in the scrambled eggs makes the eggs' texture fluffier. The water will steam during the cooking process and add air. If you add too much water you can dilute the eggs, and that will result in a bland mess, so stick to a tablespoon per egg and no more.
7. Mixing the eggs when its in the pan is essential since it is what makes the eggs scrambled and it makes it even fluffier if that's the texture you want to achieve.
9. and that's how you make the perfect scrambled eggs.
60 sec task:
Using Lumetri Color in Premiere Pro was a learning curve for me since it was my first time using it, but I found it really helpful in adjusting the overall color of my film. The lighting was pretty harsh, so I needed to cool it down to make it more visually appealing. I turned to YouTube for a tutorial since it was my first time diving into Lumetri Color properly. Following along with the tutorial, I focused on adjusting the light and color to achieve the desired look. It was a bit daunting at first, but I found the process quite rewarding as I saw the footage transform. I think the adjustments I made helped in toning down the warmth and bringing out the cooler tones, which suited the mood I was going for. It's definitely something I want to keep exploring and improving upon in future projects.
I also enhanced the sound of the recording. It was too quiet initially, and I really wanted to give it that cinematic vibe. So, I added a compressor and tweaking the parametric equalizer. It was a bit of trial and error, but I found the right balance that made the sound pop more. To top it off, I experimented with the vocal enhancer setting to really make the dialogue stand out. Overall, I think these adjustments helped elevate the audio quality and added another layer of depth to the project. It was satisfying to see how a few tweaks could make such a difference in the final result.